Hölzlhuber’s America: An Austrian Artist’s Depiction of Antebellum Travel in Wisconsin and Beyond, 1856-1860

Hölzlhuber’s America: An Austrian Artist’s Depiction of Antebellum Travel in Wisconsin and Beyond, 1856-1860

By Janine Yorimoto Boldt and Kristina E. Poznan

When Franz Hölzlhuber arrived in the United States from Austria in 1856, the United States was in deep debate over the future of slavery in its western territories and actively engaged in Native removal. During Hölzlhuber’s four years in America, war was raging in “Bleeding” Kansas, John Brown led a raid on the federal arsenal at Harpers Ferry, and the Pony Express connected Missouri and Sacramento, California. Hölzlhuber’s path crisscrossed with many of these developments, which he recorded in sketches at the time, subsequently painted, and commented on over two decades later when exhibiting his American art back in Austria.

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Hölzlhuber’s America: An Austrian Artist’s Depiction of Antebellum Travel in Wisconsin and Beyond, 1856-18602021-07-13T01:59:01+00:00

Drawn to America: Julius Klinger’s Poster Art

Drawn to America: Julius Klinger's Poster Art

By Karen Etingin

Viennese-born Julius Klinger (1876-1942) innovated advertising posters, book and magazine illustrations, mass promotional campaigns, and brand development, and he had a single-minded approach to an International Graphic Language. He became well known in his Austrian homeland as well as in Germany by the outbreak of WWI via an artistic reputation built on the strength and range of his designs, which were characterized by graphic simplicity, eponymous typefaces and irony. An advocate of “Americanismus,” and the progressive attitudes towards modern business and media coming from across the Atlantic, Klinger understood the power of modern trademarks and logos and their ability to give identity to major businesses and manufacturers.

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Drawn to America: Julius Klinger’s Poster Art2021-05-31T20:20:04+00:00

ACFNY’s THREE WITH A PEN: LILY RENÉE, BIL SPIRA, AND PAUL PETER PORGES

AUSTRIAN CULTURAL FORUM NEW YORK ANNOUNCES PRESENTATION OF THREE WITH A PEN: LILY RENÉE, BIL SPIRA, AND PAUL PETER PORGES

On view March 11 through September 3, 2021

The Austrian Cultural Forum New York, in cooperation with the Jewish Museum Vienna, presents Three with a Pen: Lily Renée, Bil Spira, and Paul Peter Porges featuring works by the three Jewish artists driven from their homes in Vienna after the German annexation of Austria, the so-called “Anschluss”, in 1938. On view March 11 through September 3, 2021, the exhibition showcases examples of their signature work in comic books, New Yorker cartoons, Mad magazine spoofs, caricatures, portraiture, fashion design, advertising, and children’s books, among other formats. Biographical material and ephemera amplify the artists’ personal stories of survival and, in part, help contextualize their professional achievements.

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ACFNY’s THREE WITH A PEN: LILY RENÉE, BIL SPIRA, AND PAUL PETER PORGES2021-03-09T17:17:20+00:00

VOICES

VOICES

Leaving Siegfried Behind: Reimagining Monuments in Austria and the American South By Alexandra Sterling-Hellenbrand

A solitary stone figure occupies a prominent space at the institutional heart of the university. The statue commemorates the lives, primarily of students, tragically cut short on the battlefields of a war that ended in defeat. The memorial testifies to the continuing significance of that lost cause; the figure’s presence allows that past to intrude constantly into the present, allows that past to insist on keeping its narrative and its problematic memory current for successive generations. Each generation, in its respective present, must wrestle with the legacy of the past for which the memorial stands, a past that becomes increasingly contentious over time, as times change.

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VOICES2021-03-09T01:52:22+00:00