All in His Hands: The Emperor's Artist Who Sculpted America's Founding Fathers
By Jonathan Singerton
In November 1783, readers of the Wienerisches Diarium learned about the craze of monument building across the Atlantic. “Sculpted marble,” “bas-reliefs,” and “statues of bronze” were springing up across the American states to commemorate their independence and to honour their leader, Washington. The editors closed the latest report in the ‘Amerika’ section with a copy of the Continental Congress’s commission for equestrian statue of Washington. “How flattering must such an honour be for him,” they commented.