“Renewed Discrimination Against Mahler”? An Episode in Postwar Austrian Musical Politics
"Renewed Discrimination Against Mahler"? An Episode in Postwar Austrian Musical Politics
By Benjamin M. Korstvedt
The tremendous growth in popularity of the music of Gustav Mahler (1860-1911) in performance and especially on record during the 1960s and 1970s has achieved almost mythical status. Not only did performances and recordings of Mahler’s symphonies begin to flourish as never before, but his image was radically transformed. He went from being widely regarded as a composer of sprawling, idiosyncratic, often self-indulgent symphonies that belonged only on the fringes of the repertoire, to being seen as a composer of urgent importance who brought the long tradition of the Germanic symphony to its great and tragic climax...