Where is America? Remaking Central Europe, the League of Nations, and the New International Order

Where is America? Remaking Central Europe, the League of Nations, and the New International Order

By Peter Becker and Natasha Wheatley

In our book, Remaking Central Europe. The League of Nations and the Former Habsburg Lands, we look at the ways in which the new political order in Central Europe after the end of the Great War was fashioned by national and international entities in close concurrence. The rationale for this edited volume was moving beyond the obvious, that is, the relevance of the Peace Treaties of Saint-German, Versailles, and Trianon for the reordering of Central Europe. The transition from a well-integrated economic space and from a probably less well-integrated political space to a coexistence of states, which defined themselves, preposterously, as nation states, was fraught with utopian expectations and, more importantly, with massive challenges.

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Where is America? Remaking Central Europe, the League of Nations, and the New International Order2021-09-16T19:05:45+00:00

The Enduring Promise of Multinationalism: Hans Kohn’s Habsburg Legacies

The Enduring Promise of Multinationalism: Hans Kohn’s Habsburg Legacies

By Adi Gordon

These are interesting times to reflect on nationalism. After more than half a century in which nationalism was considerably tamed by the memory of World War Two, by intergovernmental organizations, and through various aspects of globalization, the current decade has witnessed a clear rise of nationalism in the United States and abroad. Part of the new nationalist tide is the prevalent sense of its inevitability. It seems de rigueur nowadays to ridicule as naïve the anticipation of (even hope for) gradual transition into a post national future, in which nationalities are secondary to other allegiances. Nations, it is claimed, have always existed, and nationalism (and even ethno-nationalism) is simply part of human nature. But is it so?

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The Enduring Promise of Multinationalism: Hans Kohn’s Habsburg Legacies2021-12-06T14:09:35+00:00

Hölzlhuber’s America: An Austrian Artist’s Depiction of Antebellum Travel in Wisconsin and Beyond, 1856-1860

Hölzlhuber’s America: An Austrian Artist’s Depiction of Antebellum Travel in Wisconsin and Beyond, 1856-1860

By Janine Yorimoto Boldt and Kristina E. Poznan

When Franz Hölzlhuber arrived in the United States from Austria in 1856, the United States was in deep debate over the future of slavery in its western territories and actively engaged in Native removal. During Hölzlhuber’s four years in America, war was raging in “Bleeding” Kansas, John Brown led a raid on the federal arsenal at Harpers Ferry, and the Pony Express connected Missouri and Sacramento, California. Hölzlhuber’s path crisscrossed with many of these developments, which he recorded in sketches at the time, subsequently painted, and commented on over two decades later when exhibiting his American art back in Austria.

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Hölzlhuber’s America: An Austrian Artist’s Depiction of Antebellum Travel in Wisconsin and Beyond, 1856-18602021-07-13T01:59:01+00:00

“This is Jimmy Berg from New York:” Dreams, Expectations, and Reality

"This is Jimmy Berg from New York:" Dreams, Expectations and Reality

By Julia-Katharina Neier

Jimmy Berg was born in 1909 in Kolomea as Symson Weinberg. He was a musician, composer, lyricist and journalist. In 1938 he had to flee from Austria because of his Jewish origins and his work in the communism-related cabaret theatre group ABC. Thanks to an affidavit of the industrialist Otto Eisenschimmel Berg was able to enter the US via Southampton on the S.S. Manhattan on November 24,1938.

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“This is Jimmy Berg from New York:” Dreams, Expectations, and Reality2021-06-29T18:15:23+00:00

Rosa Wien: Gay Rights, Schlager and Self-Exile: 1918-1938

Rosa Wien: Gay Rights, Schlager and Self-Exile: 1918-1938

By Casey J. Hayes

So…What comes to mind when you hear the word “Cabaret”? Perhaps…Liza Minelli? Yet, however historically accurate this depiction of the 1920s Weimar Berlin cabaret scene may be (I doubt they had Liza or Bob Fosse) it was a more reserved cabaret culture that developed within the Austrian capitol; more quick conversation, jokes, political statements, and sentimental chansons; less drag queens and spectacle. It would have, I believe, looked much more accessible to the conservative Viennese and less like the pages from a Christopher Isherwood novel. Yet, there are many historical yet little-known events that played out at the intersection of the struggle for civil rights for western society’s gay communities, the National Socialist’s persecution of homosexuals, and the fate of some of Europe’s greatest performing art